Sensate Vision: From Maximum Visibility to Haptic Erotics
DOI:
https://doi.org/10.22024/UniKent/03/fal.222Keywords:
feminist pornography, maximum visibility, haptic visuality, female sexualityAbstract
For years, moving-image pornography has been shaped by a desire for “maximum visibility,” according to film scholar Linda Williams (1999), informing pornography’s formulaic and repetitive graphic depiction of the mechanics of the sexual act, as well as its intense scrutiny of the female body, and its different generic tropes, the most important one being the so-called “money shot,” consisting of the external male ejaculation. However, in the course of the last two decades, a corpus of feminist, lesbian, and queer pornography has appeared, which not only expresses a particular interest in bringing to screen female sexual pleasure, but also problematizes pornography’s obsession with maximum visibility, instead seeking to convey the tactile and visceral “feel” of the sexual encounter. By taking up Laura Marks’s concept of “haptic visuality” as a particular feminist strategy, this article takes into account two examples of alternative pornography, namely Touch (2013) and One Night Stand (2006), in order to describe the ways in which these films not only appropriate the carnal appeal of pornography, but also reconfigure it, experimenting with different ways of visualizing female sexuality, and opening up not only what pornography might look like, but also what it might do.Published
12-02-2016
How to Cite
Janssen, S. (2016). Sensate Vision: From Maximum Visibility to Haptic Erotics. Feminists@law, 5(2). https://doi.org/10.22024/UniKent/03/fal.222
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work for any purposs with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).